![]() Businesses - Be forthright and tell the community that you're the owner.Feel free to discuss politics, etc., but please refrain from personal attacks. and that's how I feel about these sofar gigs. I did 11 years of that almost every weekend, and 2018 I'd had enough. The same thing happened with the wedding/corporate gigs. While I've had fun the year I've helped, I'm just ready to move on. I've offered to edit the videos, more for experience, but the folks who book the shows didn't sound too excited. We just now have a video guy after a year of being a sofar town. I'm pretty sure the video stuff is more lack of knowledge than laziness. ![]() I always feel cheated out of what I'm worth, or like the artist/party paying me feels I'm cheating them, even when I know I'm not. ![]() As an audio engineer the one thing I hate most is talking about money. I just feel like a dick telling the band here's what I'd charge for the multi tracks. I just haven't gone about any of that cus it's a lot of legal what ifs and maybes. I think the bands would have more control than sofar would. I could be selling a compilation cd at the end of the year of some of the best shows if I wanted, and technically they couldn't do anything. For a big organization there isn't much when it comes to control. I've looked at what paperwork sofar has sent us, and honestly we could be doing sofar shows and paying ourselves if we wanted to. Also ask them if there's some sofar policy or something that prevents you from charging extra for premium services outside of sofar for the band (ie sending multitracks, or mixing songs down or whatever)- and if there is, then definitely gtfo because they're surely making money off these events, and you're working for free making it happen for them, so denying fair compensation is just disrespectful of your time and skillset.Īnyways, I wish you the best of luck with the situation. I would absolutely talk to whoever is in charge and tell them that you're out unless they start fairly compensating you (even if thats just by using your mixes&crediting you). Your current situation of free live sound/recording + no exposure or mixes used + giving away free multitracks sounds like a bust. Also the video editor definitely made it clear that he would do his edit for free and then any extra work would be charged hourly if we wanted him to change shots and mess with stuff after he did his thing. I have played a Sofar show in NYC and I'm pretty positive the engineer offered to mix and send us the rest of the tracks for 100 bucks a song or something (as opposed to the single one we picked for the video). ![]() You're already providing a ton of value by running the live sound for free and recording/mixing their performance for free for use in the video- no need to feel guilty to charge for the extra work that they want. I would check with whoever is in charge of the whole event or whatever to see if this is somehow against policy or something, but honestly, you're doing a ton of work on a volunteer basis so I'm not sure they have much leverage anyways. So first, hit them up and tell them the camera audio sounds bad (you're qualified, you're the sound guy), and find out why they aren't using yours.Īs for your actual question- yes you absolutely have the right to charge them for multitracks, especially if they're going out of there way to ask you for them. It sounds like people are just being suuper lazy and using the camera audio because its already synced to the video or maybe people actually putting it together aren't even aware that you're sending someone improved audio. Have you talked to the videographers/editors about the audio? So all I'm doing is mixing a show I ran and then putting it in a folder and shutting the door. I mix the tracks for fun, and usually with the intention of goin with the videos. My question is, do I have the right to charge them since I've been doing all this for Sofar sounds for free? I don't want to be a dick, but I also don't want to give away something I put time and effort into and am not being compensated for. a few bands ask me if they can have their multi tracks to mix for the video/to sell at a later date. They always end up picking the cameras audio (which believe me is never better) and I don't say that to be a dick but how's a tiny camera gonna capture the thump of a kick and stuff.Īnyways. Sadly for whatever reason the songs I've tracked and mixes end up not goin on the videos. So I've been at it for a year now, bringing speakers, about 7-10 mics a few di boxes, and running the show live and recording it for the videos.
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